Origins of photography
Rosenblum,A World History of Photography (hereafter referred to as WHP), Chapter 1
The American Civil War & Westward Expansion Rosenblum,WHP, Chapter 3
Rosenblum,WHP, Chapter 4, pp. 167 - 192
Pictorialism, Steiglitz, and the Photo-Secession Rosenblum,WHP, Chapter 7
Turn of the Century: Eugene Atget & August Sander Introduction to social documentary: Jacob Riis and Lewis Hine
Abbott,“The World of Atget,: Photography in Print:Writings from 1816 to the Present
(hereafter referred to as PIP) pp. 254 – 257
Susanne Lange,“August Sander’s People of the 20th Century: Its Making and Impact,” from Cruel and Tender, Emma Dexter and Thomas Weski (ed.) (MyLesley)
Rosenblum,WHP, pp. 359 – 365
Trachtenberg,“LewisHine:TheWorldofHisArt,”PIP pp.238–253. TedGup,“The1890BookIHadtoHave”NewYorkTimesarticle(MyLesley)
European Surrealism & West Coast School “f64”
Rosenblum,WHP, Chapter 9
Man Ray,“Self-Portrait,” PIP pp. 267 – 270
Laszlo Moholy-Nagy,“Photography”, from Classic Essays in Photography (hereafter referred to as CEP) p. 165 – 166
Vicki Goldberg, “Ansel Adams” from Light Matters. (MyLesley)
Rosenblum,A World History of Photography (hereafter referred to as WHP), Chapter 1
The American Civil War & Westward Expansion Rosenblum,WHP, Chapter 3
Rosenblum,WHP, Chapter 4, pp. 167 - 192
Pictorialism, Steiglitz, and the Photo-Secession Rosenblum,WHP, Chapter 7
Turn of the Century: Eugene Atget & August Sander Introduction to social documentary: Jacob Riis and Lewis Hine
Abbott,“The World of Atget,: Photography in Print:Writings from 1816 to the Present
(hereafter referred to as PIP) pp. 254 – 257
Susanne Lange,“August Sander’s People of the 20th Century: Its Making and Impact,” from Cruel and Tender, Emma Dexter and Thomas Weski (ed.) (MyLesley)
Rosenblum,WHP, pp. 359 – 365
Trachtenberg,“LewisHine:TheWorldofHisArt,”PIP pp.238–253. TedGup,“The1890BookIHadtoHave”NewYorkTimesarticle(MyLesley)
European Surrealism & West Coast School “f64”
Rosenblum,WHP, Chapter 9
Man Ray,“Self-Portrait,” PIP pp. 267 – 270
Laszlo Moholy-Nagy,“Photography”, from Classic Essays in Photography (hereafter referred to as CEP) p. 165 – 166
Vicki Goldberg, “Ansel Adams” from Light Matters. (MyLesley)
The FSA in America
Rosenblum,WHP, pp. 365 - 383
Roy Emerson Stryker,“The FSA Collection of Photographs” PIP pp. 349 – 354
Andy Grundberg,“Walker Evans, Connoisseur of the Commonplace,” from Crisis of the Real, pp 66 - 70.
Sarah Boxer “This (Click),Then This:Walker Evans, a Man of Lists” NYT (MyLesley)
Cartier-Bresson & Street Work
Henri Cartier-Bresson,“The Decisive Moment,” PIP, pp. 384 - 368
Rosenblum,WHP, pp. 365 - 383
Roy Emerson Stryker,“The FSA Collection of Photographs” PIP pp. 349 – 354
Andy Grundberg,“Walker Evans, Connoisseur of the Commonplace,” from Crisis of the Real, pp 66 - 70.
Sarah Boxer “This (Click),Then This:Walker Evans, a Man of Lists” NYT (MyLesley)
Cartier-Bresson & Street Work
Henri Cartier-Bresson,“The Decisive Moment,” PIP, pp. 384 - 368
5
WWII & Magnum
Rosenblum,WHP, Chapter 10 pp. 462- 490
Andy Grundberg, “Magnum’s Post War Paradox,” from Crisis of the Real, pp 191 - 195.
1940’s Move Towards Metaphor
Minor White, “The Light Sensitive Mirage” & “Statement” PIP, pp. 394 - 399
Sarah Greenough,“The Art of Seeing,” from Harry Callahan, pp. 31 – 53 (handout)
Post War: Robert Frank & the Americans
Robert Frank,“Statement,” PIP, pp. 400 – 401
Jack Kerouac,“Introduction,” from The Americans, pp. 5 – 9 (On Reserve)
Andy Grundberg,“Robert Frank’s Existential Refrain,” from Crisis of the Real, pp. 46 – 48.
New Documents: Friedlander,Winogrand & Arbus Social Document
Rosenblum,WHP, Chapter 11
Vicki Goldberg, “Diane Arbus”, from Light Matters (MyLesley)
Rosenblum,WHP, Chapter 10 pp. 462- 490
Andy Grundberg, “Magnum’s Post War Paradox,” from Crisis of the Real, pp 191 - 195.
1940’s Move Towards Metaphor
Minor White, “The Light Sensitive Mirage” & “Statement” PIP, pp. 394 - 399
Sarah Greenough,“The Art of Seeing,” from Harry Callahan, pp. 31 – 53 (handout)
Post War: Robert Frank & the Americans
Robert Frank,“Statement,” PIP, pp. 400 – 401
Jack Kerouac,“Introduction,” from The Americans, pp. 5 – 9 (On Reserve)
Andy Grundberg,“Robert Frank’s Existential Refrain,” from Crisis of the Real, pp. 46 – 48.
New Documents: Friedlander,Winogrand & Arbus Social Document
Rosenblum,WHP, Chapter 11
Vicki Goldberg, “Diane Arbus”, from Light Matters (MyLesley)
Lecture:
Readings:
Lecture: The Rise of Color Photography & The New Topographics
Rosenblum,WHP, Chapter 12
John Szarkowski,“Introduction to William Eggleston’s Guide” (On Reserve)
Stephan Schmidt-Wulffen,“Stephen Shore’s Uncommon Places” from Uncommon Places,The Complete Works (On Reserve)
Cindy Sherman & The Postmodern
Andy Grundberg, “Cindy Sherman:A Playful and Political Postmodernist,” “Richard Prince, Rephotographer’ from Crisis of the Real,
Rosenblum,WHP, Chapter 12
John Szarkowski,“Introduction to William Eggleston’s Guide” (On Reserve)
Stephan Schmidt-Wulffen,“Stephen Shore’s Uncommon Places” from Uncommon Places,The Complete Works (On Reserve)
Cindy Sherman & The Postmodern
Andy Grundberg, “Cindy Sherman:A Playful and Political Postmodernist,” “Richard Prince, Rephotographer’ from Crisis of the Real,
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