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Elinor Carruci

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Tom Roma Columbia
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Friedrich
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Hannah price npr org

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Micaela Palermo

Richard tuschman

Trisha morrissey

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Corin day

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Kmart and Marcus

Mario sort to

Tierney Gearon

Reagen Lewie brother photograph

Lang Taylor grant put of duke

Matt Connors

Pelly Cass

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Fowl low Ted Forbes on Pinterest

Paul Urbano photographer 

Collect a group of images and or sounds video and curate a show of stuff found on the internet

No fine art

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Older that uve mad your own personal relationships between high art and low popular art 

No right or wrong way

Move things from one content to another and redefine art

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John Perry Barlow 

Walter Benjamin "the work of art on the mechanical age of reproduction"

What happens to art in the age of repro... Objects are aura. Photographs don't have aura.the aura now is in the signature and edition

Bjork remixes

Appropriation and recontextualization

Richard Prince

Curatorial activity looks like Pinterest boards

Jenn Beckmann 20x200 website

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Instagram article from Yaleb

Christian Marclay the clock every minute of a 24 hour day. Looking at a clock or watch coinciding with that time.

Pharrel Williams Happy 24 hours

Bet hers

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Crowd sourcing

If u want to get work done source it out to the crowds

Anastasia samoylova

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Larry Sultan Evidence

Divorced the image from the backstory of corporate images

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John Rafman google street artist

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Lauren greenfield

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Click hole.com

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Jeff Koons at the Whitney

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Look up Laurie Simmons new work

quote:

Gallagher argues that collage is the per- fect medium for coming to terms with a culture saturated in images, both printed and online. "Today's collage artists carve out fragments from this frenzy and force the disparate pieces to become one," he writes. "It is their way of controlling the chaos—or at least pushing the pause but- ton long enough for examination."

clothing catalogs, text books, anything that can be folded into my world." His collages usually feature one or two monochrome figures, their faces always concealed, set against open backgrounds built up from layers of paper to suggest abstracted interior spaces. A restricted palette and sparing use of random lines of type help to define his private graphic world. His aim, he says, is to reveal a zone of hidden behavior—its beauty, ugliness, solitude, and desire. gallager

unqualified em- brace of digital collage as a tool for responding to 21st century modernity

The bot- tomless ocean of imagery available on the Internet gives collage-makers even greater reserves of ready-made material to filter, borrow, and manipulate, while any paper image can be digitized by scanning.

One of the most distinctive artists in Elephant and Cutting Edges is Julien Pacaud, a French illustrator who planned to become a filmmaker before discovering collage. Pacaud's use of dis- placementand rupture is so complete- he only works digitally—that I wonder whether "digital collage" is even the right term for what he does. He blends his source images seamlessly into pictorial scenes that might, as he says, belong to an imaginary film. Whatever the people were doing when he extracted them, they become actors in a new hyper-real dra- ma. In one image, an Edwardian lady looks reverently at the grass, while an- other woman in the distance, holding hands with a companion, points to the sky where two huge planets hang above slender monoliths of light. Pacaud can sometimes overdo the portentous geom- etry (cubes, pyramids, spheres) but his re-colorized images look like fully con- temporary visions and he is in constant demand as an image-maker.

Walead beshdey

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John O Reilly

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annete koons family secret and acts of imagination

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Capital of the 21 century Ted talk

Culture 

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Creating a facade of the memories u have in there

Changing the gestures 

Carrie Mae Weems

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Eugene Richards

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James Agee let is now praise famous men

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